Laurelyn Whitt

3 poems

CONTINUITY

If Earth were flat
it would have an Edge

a place of precision

where what is, ends
what is not begins.

Flat earthers, those closet positivists
let sense dictate ontology, say

the unperceivable is
inconceivable, drop

parsimony down
on the horizon
severing the continuum

like a guillotine.

Since Earth has an Edge they think
they wink out
crossing over.

The unknowable stays
put

no longer here
nor anywhere there is.

Some claim this gets death
right and extinction

others persist
on an oblate spheroid.

 

AS IS

Rather shabby
it remains:

a study in neglect
battered, dilapidated

still turning.

Not what they hoped.

Somewhere in that slow revolve
a new planetary

wobble
begins

a shifting of the
polar axis

as meltwaters rise
converge

the missing mass of Greenland

calving iceworlds of the Arctic
the Antarctic

Earth
tilting in response.

They barely notice.

 

CASTING OFF

Winter takes its grip. Artic wind
yowls down
from tundra, permafrost

scours the prairie.

Near a house flanked by lines
of swaying spruce

deer paw snow for seed
under feeders
and a wild turkey

visits. Presses his body to a
warm basement window

blinks down at the woman who
sits, tending gaps
in time

singular absences grow
into the rest.

Her words drop like

stitches sentences unhem
lose themselves

worlds ravel with
small undoings.

Hand paused
poised to dip, intervene

she is about to end this run
as it happens.

The turkey watches.

 

Laurelyn Whitt's poems have appeared in various, primarily North American, journals. She is the author of Interstices (Logan House), Tether (Seraphim Editions), and Adagio for the Horizon (Signature Editions). She lives in Manitoba and in Newfoundland.