Ruth Ellen Kocher

2 poems

the last gods

we were joy junkies riding coal waste on old mining roads 
the white birch divining subtle vibrations of earth 
railroad tracks ribboning orange the sinking sun 

what prone light enters un-feathered 
what larva what salt what white can unmake 
spine cloud tripe pity 

she was in love with the guy who was in love
with her best friend he was white-blonde long 
she was white-freckled sweet 

we lived to be night but alive 
no stars shined brighter than our bodies 
outlined by fire licks

there were two white girls and one black girl walking
the neighborhood of another black girl the neighborhood
girl tells the new black girl walk in front not in back 

what enters unformed horizons break 
not continuums though you refuse
to imagine an end 

a cloaking theory whitens sky when i
finally arrive at my inner
constitution

it takes me too long to learn that pretty is a white
myth that ends in death death is a field
white with trees if we could we see them 

they are running with masks 
they are running without masks 
the street is bound in movement 

the sirens become a direction 
the light is white in the background 
the light near white almost 

the sheet is white over his face 
a white shard seeds me 
i have two knives instead of a heart 

white boils down to rum when it begins as sugar 
the ruins pock the island at the beginning
and end of our romance 

white wears heels looks
over her shoulder 
white knows what she’s done 

i’ve been gone a long time 
each day is a room 
the landscape only water and hills 

if you widen your focus we become a map 
you can’t distinguish your water from my water 
your hills from my hills

when i refuse to love the island 
the sea turtles come they bury their eggs so deep
only mongoose can find them 

we were going to change the world 
we couldn't press charges 
he was obviously unarmed 

she does not pull over 
the dead boy is everything for everyone 
everything means captive after all 

clarity is not white 
i write this down and think i’m happy
wanting white to be a lie 

it rains both inside and out the world is genius
and smoke i'm sitting here because of nothing
you did please don’t call me lovely 

if you hunt
there is white beyond the canopy of leaves 

if you’re prey
there is red within the canopy of trees 

regardless
there is light of some dark doing   

a white boy calls a landscape my hip 
he marbles me exotic
he watches the way
i write his name like mine 

beyond something of shadows
a vase with roses holds the skull of a woman
loved by every hand that touched her 

don’t confuse a trumpet flower 
for yellow sentiment 
pollination is a thug fight 

what heart thump legions these still stars
what molten revolt adorns the claw
what prone light enters un-feathered now

 

god of wanting to know where to be

today a politician told a press conference 
the world is a gangster and because it seemed apparent 

that he found poetry in the savagery of his job 
i felt happier when i walked away from the broadcast 

the hope i held onto made me feel new 
in the way it dismissed everything i’ve learned to be true 

it’s sunday and i’m not calling my father yet to interrupt
his day of waiting without my mother again or 

to intercede with the reminder my voice brings 
she is the greatest thing we have in common 

and the greatest thing we no longer have between us 
on sundays someone goes to home depot 

gets lumber brings it home all one needs to do is take it 
out back someone else may come give next steps it will be

only so long before somebody decides it was a good job
or a bad job it’s always something the outcome 

my sister’s not working this summer the school busses 
driven across valley roads are driven without her driving them 

not working is a thing she says every day in a way that makes it 
so directly related to working that they are in some ways essentially

the very same thing working and not working driving and not driving 
my sister is a poor white loop of active negation in the face of being 

i cannot remember why i was upset with annie lamott and gave
all her books away i remember feeling that when she repeated 

profoundly
the words of a dying friend

i would remember them forever
though i’ve forgotten

but also
a certain thievery was at hand

i’ve learned all words are forgiveness as in
to forgive someone for something you cannot remember

is more simple like just loving someone enough 
i post an article about whales and sea turtles

caught in fishing nets off the west coast
their abandoned protections

mean there will be no caps enforced
no fisheries shut down

no sanctions
no dissuasions and so the whales and the sea turtles

suffer the sum consequence
flat ontology of kelp 

i imagine within new ontologies equitable objects 
become the trampled currency of value —

valued objects and unvalued
objects

the reassignment of the turtle
as a value-object

i imagine can only happen via
the sound of sobbing coming

from every window in the world
at once         

on the fourth of july     a white woman
called the police on a black man wearing socks in the pool

two weeks after a white woman called
the cops on a black girl selling water      

a month after a white woman called
the cops on a family in a park 2 weeks after

a white woman called the cops on a college
student in her own dorm sometime around the same

time as a black woman called the cops on a man
who would not let her enter her own gated community

where she lived as a doctor and
he didn’t live at all          

then     in a determined turn of circumstances     
someone dies again      

flashing lights
flicker in the path of the soul as it rises

finally      a crescendo     
then the world collapses      

here’s where a smooth poet would say something funny
and demeaning about her height or weight or self-esteem

or her relationship with her mother       or sex    
and perhaps there might be a moment also where she describes

her own reflection in a way that makes you laugh
at her awkward      but snapdragon posture     

when i was 20      i sat on a lawn in green bay     
and cried because i could not save the world that night         

i fell short of my fundraising quota
4 hours door to doubtful door

collecting $12 checks to clean up
toxic waste      

i could not tell the difference between
having cancer and being black but either way

a clipboard said something about something      
i still looked forward to a world at peace      

some hate hadn’t yet begun      there are so
many worlds we’d rather not have been part of      

which is a privilege of being      to say what not after the fact          
i knew nothing about the station at othello park except

a beautiful poet posted a photo which should have been
all about lines but seemed all about curves      space     and light

i felt moved to a longing that made me feel
at once an orphan but also someone who abandoned the world      

the photo gave my feeling a look      
gave it a roof      a large window      hint of shadow      

light      in this image     had no consequence     
except as a vehicle of exposure         

in another universe   
i was born and lived and died   

the beautiful poet’s photo in this life
reconciles

the absence of myself despite myself    
with myself    

without anyone further
the same     

 

Ruth Ellen Kocher is the author of godhouse, (forthcoming Omnidawn 2023), Third Voice (Tupelo Press 2016), Ending in Planes (Noemi Press, 2014); Goodbye Lyric: The Gigans and Lovely Gun (Sheep Meadow Press, 2014); domina Un/blued (Tupelo Press, 2013), winner of the Dorset Prize and the 2014 PEN/Open Book Award; One Girl Babylon (New Issues Press, 2003); When the Moon Knows You’re Wandering (New Issues Press, 2002) and Desdemona’s Fire (Lotus Press, 1999). She teaches poetry, poetics, and literature at the University of Colorado-Boulder.